On Sheep, Blogging and Hog Leg .44s

The beginning of this October, I am to participate in a writers’ retreat about blogging with some fine fellow bloggers, and I suspect there will be a bevy of useful tips and advice for writers of all levels.

My experience as a blogger is: I know how to get my blog up on my site and add pictures and videos and other graphics. I know how to write, or it seems I should, since I have been blogging fairly steadily since 2010. I manage two blogs and have written as a guest at a number of other folks’ sites. I read other people’s work, too, so I have a notion of how my creations stack up.

As of late, I have not been blogging. I don’t want to spend a whole lot of time analyzing why I am not blogging with any regularity, but let it suffice that if I am going to present at the retreat, I best get my rear end in gear and compose.

When I am on a roll, I generally blog on a weekly schedule, and the subject matter veers from book reviews to memoir to philosophizing to film reviews to travel blogs. The array cuts a fairly wide swath through types of blogs and thought processes and I suspect that occurs because after four years I’ve begun to frantically ask myself, “What am I going to blog about?” I think about this, I think about that, I grab a book off the shelf that I recently read, I think about a film I watched. Lately the only emotion that has been evoked by any of those actions is a big “HO HUM.” So, what’s the solution?

I am a thrill freak in some regards. I suppose it comes about as a result of my time in Vietnam when adrenaline rushes were what helped keep me alive. Nothing boring about getting shot at. After forty-five years, I still crave that thrill.

I have learned that you can capture, or re-capture, that thrill in writing. Danger is not the only stimulus that can give the writer a thrill. Any kind of thrill might be the impetus to get you banging away at the keyboard. For our purposes today, danger will be the fuse that lights the dynamite. The excitement comes at you as you begin to remember something that was dangerous, or had the capability of becoming dangerous. Once you let your imagination meet your memory, events can be relived, so to speak, and you are there, running from the snap-whine of a sniper’s rifle fire or digging your fingers and toes into the bottom of a trench even as incoming artillery rattles everything around you. You can be vicariously thrilled writing about memories. You can turn memory into action-charged prose (or poetry if you choose).

My mind is searching over my history to find some moments when I was scared and thrilled at the same moment. Sitting here writing this, I’m back at Thanksgiving of 1971. I was employed as a sheep herder/fence builder/truck driver in southern Arizona. The day before, we had moved a band of sheep into an alfalfa field lying leeward of the Sierra Estrella. We pounded metal posts into hard white calíche and fenced-off eighty acres, then moved the sheep in. I dropped two big water troughs inside the wire enclosure and filled them up out of the water truck I was driving. The foreman who supervised me leaned against his pickup and smoked a Marlboro.

Across the field was the farmer’s headquarters: a house, a shop, several Quonset huts, a set of corrals, an old chute that hadn’t been used in a long time. Looking over there I noticed what looked like a bunch of dogs. Now, most town folk, animal lovers and non-sheepherding folk don’t understand how a sheep man feels about dogs. As my old friend Bob Moser used to say, “One dog’s a pretty good dog, two dogs is half a dog, and three dogs is no dog at all.” Packed up, dogs can and often do kill sheep, or worse, they maim them. Don’t get me wrong, I love dogs and most dogs seem to like me. But there is something about ancient predator/predatee relationships that often make a bad mix with sheep and dogs, especially sheep that are not protected by a herder or paradoxically, guard dogs. And of course, the dangerous dogs are the ones that are not managed by their owners and that gang up in packs. So, seeing four or five dogs darting around between those Quonset huts made both the foreman and me more than a little nervous.

As if on cue, the farmer got in a flatbed truck and drove out of his headquarters, down the dirt road that ran along our new fence, and pulled up. Dust boiled all around. Immediately upon stopping, the sound of barking and yapping dogs filled the air. As the dust calmed down, I could see five Blue Queensland Heelers prancing around the back of that flatbed. Their ears were up and so were their snouts. It was a primal moment, watching those dogs strut their business—the business of herding animals. Heelers are herders by trade. The sheep all balled up and ran into one of the opposite corners of that large field. They obviously had notions of their own about what those dogs’ intentions might be. I heard bleating complaints out of the ewes as they scampered around and moved their lambs as far from those Queensland Heelers as possible.

The farmer got out of his truck and walked over. He wore a smile on his red face and sported a scraggly mustache. He stuck out his big wrinkled hand and introduced himself real friendly like. He and the foreman talked for a while about alfalfa and sheep and the weather and water and then he said, “Do not put any poison out.” I did not blame him for saying this since he had five fancy dogs in the primes of their lives and also because sheepherders, us included, had a reputation for trapping, shooting and poisoning dogs and other predators. And our reputation was well earned because we did all those things. Remember what I told you. Dogs kill sheep.

I left after that and returned the next morning to check on the sheep. The sky wore a flat gray mantle and a cold wind whipped off the Sierra Estrella as I pulled off the highway onto the dirt road that ran along our page wire fence. I stopped and climbed over the fence. I heard a vehicle start up. I checked the water troughs and they had plenty of water. I pulled my old Levi jacket closed to keep out the chill. I heard a vehicle coming. I looked up and saw that flatbed truck turn onto the dirt road. I watched the truck for a moment, noticed the rooster’s tail of dust that reared up behind. I thought, seems like he’s coming a little too fast. It was kind of like radar going off inside my mind. I shook my head and told myself I was not at Khe Sanh and looked around to see if there was any sign of dead sheep since we did not put out any poison. I heard the truck behind me as the driver laid on the brakes. The tires bit into the gravel on the road. I heard the door slam and the farmer (whose voice I recognized) yell something at me.

I turned and immediately noticed he was toting a hog leg; looked like a .44. It had a chrome barrel and a black grip. I had an old World War I Mauser bolt action rifle in the truck that I had never shot, and besides I didn’t think I had time to get to it so we could have a standoff. I looked around for some place to disappear as his boots scuffed the ground and he mumbled stuff I couldn’t understand. The only place to hide was behind one of the water troughs but that would be ridiculous since he’d seen me and would just come shoot me if that’s what he wanted.

I felt as if I was lost out there with those troughs and those sheep and that farmer climbing over the fence. He did so awkwardly because he had that damned pistol and because he wanted to make sure, I’m sure, that he didn’t take his eyes off of me. I noticed there were no dogs on the back of the truck. The sheep bleated and moved around as if there was nothing wrong. But something was wrong. No dogs strutted on the back of the flatbed.

He stomped up to me and his face was three times redder than yesterday and his eyes were worn out. I’d of said he’d been crying but he was carrying that hog leg. He yelled, “Out, out.” I said, “What do you mean?” He blurted, “Get them sheep out of here, now.” I know I looked incredulous. He yelled, “Now!” I shrugged and turned the palms of my hands up. “Where? It’s Thanksgiving and I don’t…” He stuck the end of that hog leg in my face. It was close enough that it reminded me of the round eye of a dead ewe. I threw my arms up. “Whoa,” I shouted, “whoa. You need to settle down.” All this while figuring out how I would disarm him, or escape him or…or…or… He got his face close to mine and stuck that hog leg in my gut. I could smell coffee and garlic and the faint whiff of whiskey. He hissed, “I told you no poison.” I replied, “I didn’t put any poison out.” The gun jabbed further into my too-soft stomach flesh. “Get ’em out.” He didn’t seem to be in any mood to discuss the matter, so I lifted up the fence and after much chasing, haranguing, running and sweating as I cussed my foreman for putting out strychnine, I got that band of sheep out on the road pointed in a totally different direction than the business end of that hog leg .44. Getting them somewhere safe, somewhere they were wanted, and with water and feed was a totally separate adventure. Subject matter for another blog.

My wife pointed out how the voice and energy in this piece changed as soon as my memory dropped back to Thanksgiving, 1971. That anecdotal evidence jives with my notion of how memory and thrill might be a way to drive writing one’s blogs.

On Pruners, Prose and Metaphor

Betty and I have been on the road it seems all winter and the early weeks of spring. So when we returned home to Boise eight days ago, our yard looked a little haggard, as if we needed to spend some serious work time. Pruning and digging and raking and planting all need to be done, now. But I cannot do it all now. So I decided to begin with….with a pair of pruners and a better attitude than what I felt last Thursday when I first looked at all the work. When I whispered to myself, “I am tired, I can’t do all that; I don’t want to do all that.”

So I began with pruners and snipped and pruned, here and there, one bush at a time and now I have made significant progress. Maybe that approach could work for my writing.

I mention my writing because I’ve been hearing from a number of friends and acquaintances about the dearth of personal blogs coming from me. I have often wondered how much those blog pieces I used to regularly pound out meant, if anything, to anyone. But evidently they are read and printed out and shared and maybe even talked about. So I have decided to get back into the habit of writing the Not-So-Regular, Regular Friday Blog.

Writing is a lonesome business and is often done best at five-thirty in the morning before full consciousness kicks in, or the strong coffee, or both, when the breeze that announces first light still rattles the rain gutters.

Sometimes, with me, and probably a lot of other people, the writing comes like a blast of hot water that cannot be dammed. The images tumble out of the unconscious and into the mind so fast they get tangled up and trip all over themselves. When the inspiration overmatches the perspiration, you think you can write forever and write well.

But sometimes the work isn’t like that. Sometimes it’s like punching postholes in limestone. Joint-shivering work, metaphorically speaking. Knuckle-busting; and of course I am being metaphorical but I am a creative writer so metaphor demands to become part of the toil.

When the writing is difficult, like it has been lately, the metaphors seem frayed, as if I have applied them so many times they’ve lost their collective breaths. When that occurs it is difficult, very difficult, for me to get to the desk and compose.

Maybe metaphor exhaustion comes about because all the stories a man has to tell, or stories that are worth telling, are tapped one too many times from what the psychiatrist Carl Jung called humanity’s “collective unconscious.” I am not positive, but I think those archetypes, those collective myths we all are a part of, can get worn out after telling and telling and telling from the mouth and hands of the same man over years of yarning and writing.

Among other tools of yarning, metaphor is one of the ways—one of the shovels—we employ to dig that hole in the brittle ground of imagination…the telling of the quest, the conquest, the resolution of our journeys from the beginning of life until the end.

When tackling metaphors and their expression in the borrowed archetypes, I want to portray in a way no one has ever created. Even though the stories are as old as the species, they need to be expressed in a fresh way. They need to be new. And that means new metaphors.

But first, I need to get a fresh piece of paper—a blank one—and get some words down. Like putting the point of my shovel into the hard clay at my house. Or get the pruners sharpened and oiled. For the first time this year. This new year for story and metaphor.

And blogs.

Thanks to my friends and acquaintances who asked for getting me motivated to blog.

On Cowboy Poetry, Elko, Teresa Jordan and Blogging

Betty and I will soon be off to Elko, Nevada for the annual National Cowboy Poetry Gathering, a celebration of the American West and an effort to preserve our western heritage.

This year we are going early so that I can attend a two day blogging workshop taught by writer Teresa Jordan. Teresa is noted for her books of non-fiction. My favorite is Riding the White Horse Home: A Western Family Album, which is a memoir of her younger days on the family ranch north of Cheyenne, Wyoming. Sometimes I think that those of us not out rounding up and branding calves think that cow folk have vastly different lives than we do. Teresa’s book shows us that though they may have a hard physical life, ranch people have all the same issues the rest of the world deals with. I like knowing that our trials and tribulations tie us all together.

Teresa is also a great blogger so I am hopeful that attending the workshop and hearing more experienced bloggers talk will spur me into writing timelier and better blogs. I write two blogs and like most things in my life, when I began them I had lots of torment and anxiety to write about and I think some of the blogs were pretty fair country writing. But after two years, my energy has waned and I am tired of the routine, the demands I have created for myself. So…on to Elko

I recall reading in a book that a lot of the academia responsible for educating America’s writers is concerned about the level of writing and reading in America today. People aren’t writing nor are they reading, or so the conventional wisdom goes. But after becoming a blogger, I have discovered an immense community of young people out there both writing and reading blogs. It’s not Jane Austen or Ernest Hemingway, but a lot of the stuff I have read is very well composed, whether in a technical vein or something more in the creative non-fiction milieu. I suppose blogging doesn’t match up to Homer or Virginia Wolfe, but I still think that since people are writing and reading that writing, discourse and democracy and thought and discussion are still going on and that’s what matters. And some of the blogs are really well written…downright exciting.

Some things about blogging are technical. How to set up a page and put in plug-ins and widgets and compose in HTML. A lot of the technical stuff is beyond me. In my earlier years I would have crashed into the technology head-on, but these days, if I can’t figure it out ricky-tick (as Michael Deede, one of my sergeants in Vietnam used to say), then I hire a pro or flounder around.

But a lot of things about blogging have nothing to do with technology and everything to do with story. Is there a compelling conflict, or obstacle the blogger or someone the blogger writes about must overcome? How that conflict or obstacle is tackled is what makes the blog work, or not work if the writing doesn’t meet the challenge thrown down by the task. It is not so important if the obstacle is overcome or not, but how it is written that matters.

Besides obstacles, are the people in the blog interesting? Can we see the people through the images the writer chooses to describe them? If there is a setting, is that visual and are all the five senses involved in the writing? We are visual critters, but words that evoke smell, sound, touch and taste also add to the complexity and rich texture of a blog. Is the language peppy and musical and appropriate to the mood of the piece?

Is the blog about something important? When I say that I mean does it delve into the essential questions that we encounter in our lives. I’m not saying it has to be composed as if the blogger is Plato or Francis Bacon or George Santayana, but we often read to discover how someone else solves the common problems we all deal with: love, hate, war, death, and the wide array of emotions that rise from the bottom of our cowboy boots to the tops of our Stetsons, every single day.

Just standing here composing this is energizing me to get down to Elko and work with Teresa and the rest of the people who will help me become a better blogger. While in Elko, we will also be taking photographs, talking about making films, talking about music and poetry, listening to music and poetry and prose, talking about the past and future heritage of the American West. And yes, I will do some blogging.

Twitter: The Power of a Question

Guest blogger Galen Rodgers muses on the power of questions, whether in the normal forms of discourse or in newer forms of communication.

Recently, I had an experience on Twitter that changed my perspective of not only the power of asking one simple question through a social media platform, but also how one’s question can lead to an unexpected path of promise.

The Tale of the Tape

Approximately 2 weeks ago, I was in building mode on Twitter. We’re talking deep in the trenches of actively pursuing Tweeps seeking knowledge that I had to offer. For those who aren’t intimately involved with Twitter, generally, one must follow others in order to attract followers. Because my business is online marketing, blogging, start-up strategy, personal branding and the like, it necessitates actively seeking an audience. If I can’t garner an audience on Twitter, FaceBook and other social media platforms, what do I have to offer?

The Question

So there I was, following folks to gain an audience. On this particular day, to shake things up, I decided to try something new. Instead of playful banter between my current followers or spreading the good word of social media from the usual outlets, I started asking questions of my followers.

I specifically remember that actual event of the question. I ran an errand to Safeway and while I was sitting in the parking lot, I decided to use my iPhone to ask a random question. “How do you build your personal brand?” That was the question. Nothing poignant. Not earth shattering. Just a simple question. I’d asked questions in the past with no response so I wasn’t expecting much.

This time I received an immediate response, and only one. The follower replied, “Carefully.” Huh, that was it? Interesting…
I didn’t know the follower as by this time I’d accumulated over 1,000 Tweeps. I replied telling him indeed that was interesting and provided a link to my blog. My blog post for that week was “5 Reasons to Build your Personal Brand” and I truly wanted input.

The Result

This follower then proceeded to visit my blog, comment, and retweeted my post to his 4,000+ followers stating “up and coming blogger”… I was ecstatic! Not only did someone I didn’t know respond to my question, he visited my blog and actually became an advocate for my content. Holy %$#&!! But wait, there’s more…

Not only did he become an advocate for my content, a week later I was invited to join Triberr. Triberr is a blog reach multiplier. Meaning, if you’re invited to join a Tribe on Triberr, everything you blog is then retweeted by all tribe members thus extending your reach beyond what you normally could accomplish with your own efforts. Currently, my tribe has a reach of nearly 27,000 people. Some Tribes have a reach of over 1 million!

Conclusion

What does this mean? Because of one question, I’ve extended my reach to a growing community looking for information regarding my specialty and that is great for my business. What if I hadn’t asked the question? What if I played it safe and decided to continue broadcasting the same content on Twitter I had been? Would I have missed this opportunity?

What did I learn from this? Simply, one can never tell when opportunity will strike. Gird up your loins, ask the questions to gain an audience and reap the benefits.

We love to know your thoughts. Share your successes and your concerns with building your personal brand or about social media. All comments are accepted!

Galen Rodgers is a self described Internet Media Evangelist. He is a father of three, serial entrepreneur, marketing professional, avid cyclist, wine lover and film geek. He believes everyone deserves the chance to brand oneself, work hard at their passion and be successful at living the dream.

www.galenrodgers.com