On Insurrection, Imperial Dreams and American History

I recently finished reading Gregg Jones’ new book, Honor in the Dust, Theodore Roosevelt, War in the Philippines and the Rise and Fall of America’s Imperial Dream (New American Library, 427 pages). Amply footnoted and bibliographied, this book is a great read if you are interested in the history of American involvement in the Spanish-American War, the Boxer Rebellion and the subsequent campaign to quiet the insurrection against American occupation of the Philippine Islands in the late 1890s through the early 1900s.

Reminiscent of Civil War historian Shelby Foote, Jones’ writing style is narrative and as such we are right there in the jungles, in the villages, in the White House as we learn of all the Byzantine events, both in combat and politics, that took place in those years. Not the stuff of dry and tedious historical narrative, this book is intensely intimate in the incidents, the emotions and entanglements it describes
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We meet a wide cast of characters, Theodore Roosevelt, Frederick Funston, Arthur MacArthur, Emilio Aguinaldo, Littleton Waller, Geronimo, William McKinley, Nelson Miles. two-time Congressional Medal of Honor winner and Marine Corps officer, Smedley Darlington Butler, and William Jennings Bryan, just to name a few.

The United States, at the time this book describes, was a rising international power and wanted to flex its muscles and help spread democracy. (Sound somewhat familiar to certain events following 9/11?) The USA boasted a robust burst of growth and enlightenment and felt it imperative to share the benefits of American Democracy with the world, especially the downtrodden and enchained people of the old Spanish Empire: Guam, Cuba, Puerto Rico and the Philippines.

In Jones’ narrative, we learn that the population majority of the Philippines thought we were coming to throw the Spanish out so they could create their own form of government. They wanted us to come in, defeat the Spaniards and then leave. I think I recall hearing something similar to this when we went into Iraq. They wanted us to go in, get rid of Saddam Hussein, and then leave. And herein resides one of the most important notions (in my opinion) about Honor in the Dust: History, as Santayana and Hegel believed, tends to repeat itself.

In 1898, we didn’t leave the Philippines as soon as we defeated the Spanish. We became involved in a protracted guerilla war with a well organized Philippine resistance generaled by then president of the short-lived Philippine Republic, Emilio Aguinaldo. Jones’ renditions of the grueling grind of the war, the weather and terrain, the personalities of the people involved, puts the reader ringside, so to speak, to torture, murder, pillage, misery, misunderstanding and no-holds-barred politics.

By the end of the insurrection and the surrender of the Philippine rebels, America’s dreams of Imperial might were battered, tattered and for the short term abandoned. Brave and famous Marine and Army officers were tried and in several cases convicted of what were basically charges of torture. President Theodore Roosevelt, a champion of American involvement in the affairs of countries cast far and wide over this planet was chastened by what he learned about the necessities of subduing a large country with determined resistance in a hostile environment.

But we weren’t chastened long (and here, again, I venture into my own opinions). After (and before) our experience in World War I, we sent the Marines into Haiti, Nicaragua and any number of other tropical destinations to put down Insurrectos.

Major General Smedley Butler, the above referenced two-time Congressional Medal of Honor awardee, had the following to say about his service in these various wars:

“I helped make Mexico, especially Tampico, safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefits of Wall Street. The record of racketeering is long. I helped purify Nicaragua for the international banking house of Brown Brothers in 1909-1912 (where have I heard that name before?). I brought light to the Dominican Republic for American sugar interests in 1916. In China I helped to see to it that Standard Oil went its way unmolested.”

In Vietnam, my war, we also fought a protracted conflict with charges leveled against American warriors of torture, murder, and pillage, some of which, as in the case of the My Lai massacre, resulted in officers of the United States Army being court martialed and convicted of crimes.

For example, in Iraq we had events at Abu Ghraib and in Afghanistan we had Marines urinating on corpses and alleged murders of families by Army personnel, all symptoms, I think, of our military’s frustrations with the difficulties of fighting in guerilla-type conflicts. And in the cases of Vietnam and Iraq and Afghanistan, I see parallels with Gregg Jones’ story of the war in the Philippines. Young men are sent to far off countries that we think we are helping, only to become part of a protracted, vicious, guerilla war.

In war, bad things happen, innocent people get killed. What domestic and international politics require, the battle cannot produce. Often the combatants are reduced to involvement in internecine fights that are degraded to the lowest common denominators of horror, viciousness and torture. Not to say that the opposite doesn’t happen, too, because it does. In war, (and I speak here from my own experience) the best about humanity also comes out.

Yet, whether in the Philippines, Vietnam or Afghanistan, the horror that happens on the ground seems to repeat itself. And I wonder if we ever learn anything from the past.

As Hegel said, history repeats itself and as Santayana says, “Those who cannot learn from history are doomed to repeat it.” But why? The 19th Century American philosopher and thinker, Ralph Waldo Emerson, may have figured out why: “The persons who make up a nation to-day, next year die, and their experience dies with them.”

Again, the book’s title is Honor in the Dust, Theodore Roosevelt, War in the Philippines and the Rise and Fall of America’s Imperial Dream. As you read Gregg Jones’ well-composed prose, I think you will be thinking about the past, the present and future of America’s foreign involvements.

On Mice and Men–Mostly Men

Last week Betty and I watched the 1992 rendition of Of Mice and Men starring Gary Sinise and John Malkovich. This particular adaptation of John Steinbeck’s novel of the same name was predated by a 1939 version starring Burgess Meredith, Lon Chaney, Jr. and Bob Steele.

Sometime around 1952 or 1953, at 111 Beech Street in Casa Grande, Arizona, I sat on the big oval hooked rug made from tatters of denim and other disregarded material that kept the chill off me from the concrete floor beneath. Towheaded, with my gapped front teeth already making their statement about the image I would become, I was watching KPHO TV Channel Five when the 1939 version of Of Mice and Men came on the tube.

My mother was in the kitchen baking chocolate chip cookies, and between visiting on the phone with friends, her mother, her brother’s snarly wife, she sang Mormon hymns. She must have heard the announcer presenting the day’s morning feature film—it was Saturday—because, and I distinctly remember her saying this, she told me, “Kenny, I don’t think you should watch that movie.”

I must have said, “Why?” because right now I recall the conversation definitely going on, the words flitting back and forth, my mother’s words coming out of the kitchen along with snippets of the tune “Give, Said the Little Stream,” and the scent of those sweet cookies.

What I probably sent back to her in response to her signals were mostly smart-assed mental messages. I probably made some faces, too, scrunching up my lips beneath the end of my nose, shaking my head and body as I silently mimicked, “Kenny, I don’t think you should watch that movie.”

She kept saying it, she kept saying it. She kept saying it. Even at that age, five or six years old, I already understood how my mother operated. If she really hadn’t wanted me to watch Of Mice and Men she’d have stomped into the front room and turned off the TV and if necessary she would have switched my butt with the flyswatter. Sometimes I forced that . . . the switching with the fly swatter.

But she didn’t switch my butt, she just kept sending me sweet-worded warnings along with the lyrics to a song.

I don’t remember many of the details of that 1939 version except hating the Bob Steele character, Curley, and loving the Lon Chaney, Jr., character Lenny (who suffered from what we now call a developmental disability). Because of how the story was structured, I was supposed to hate Curley and love Lenny.

In the end, Lon’s character, Lenny, kills Curley’s wife, not maliciously, but regardless, ends her life and so he must pay. Lenny’s best friend and protector, George, instead of allowing Lenny to be ripped apart and murdered by a mob (and probably also to save himself), shoots Lenny in the back of the head while telling Lenny about the wonderful farm they are going to own sometime down the road.

Until the sound and image of that murder, I really liked George, too, but instantly, besides being confused, I loathed George, and loathed something much larger which I could not reasonably articulate but certainly felt in my gut and bone marrow. I suspect that something larger and my loathing of it was what my mother was subtly warning me about.

I remember, much to my chagrin, breaking out in sobs after George shot Lenny. Sobs weren’t encouraged around our house, so I was flummoxed pretty good to break out the way I did, as if all the gates named reticence were broken down.

My mother took me in her arms and we lay on the couch, her soothing me and yet advising me how she’d not wanted me to watch that film.

Twelve years late, my senior year in high school, I checked Steinbeck’s novel Of Mice and Men out of the library. My tow head had turned sandy brown and my gap teeth were definitely prominent. Reading about Curley and Lenny and George I received a dose of realism in the first degree.

Realism . . . Steinbeck wrote the book during the Depression and he aimed, I surmise, to portray the hard world of labor and poverty and wealth during that era. But he was also writing about the hard world of love and friendship and mutual respect.

George was hard on Lenny all through the story, but he loved Lenny and respected him as a person although in the end he killed him; one, for Lenny putting George in the position of being his protector and thus responsible for Lenny’s actions, and two, to forestall Lenny having to deal with what was to come. Talk about hard stuff . . . George’s realization that the decisions we make to save ourselves might also be the decisions that destroy us and often the decisions cannot be avoided.

Here it is almost sixty years since I first watched Of Mice and Men and the impact of Steinbeck’s tale still lives on in my thoughts. That’s what I call power in a story. We can rant and rail concerning the inequalities, or lack thereof, inherent in humanity’s behavior towards one another and it doesn’t mean much. But drape the issues on the backs of characters like Lenny and George and you can penetrate the human heart.

Steinbeck knew that. Tortilla Flat, East of Eden, and The Grapes of Wrath are some of his other novels that can bash our emotions. Steinbeck wrote about the essence of being human.

I suspect my mother, too, understood the power of story to move us and even though she warned me about Of Mice and Men, she let me watch it, let me get an early lesson about the power of story, and more than that, about humanity.