I Did NOT Eat Lobster But I Did Eat Grits

But then I did eat lobster. Not one of those big sea-bottom bugs that cleans all the trash off the floor of the ocean. The bug-eyed wavy-feelered gout-creating sea-bottom bug. My lobster came disguised as chowder and seafood filling for a wrap. I finally gave in to the push push push to eat lobster bugs while we traveled in Nova Scotia. I mean, if you are there, you should give it a go, eh?

One of the many aims of our trip was to, while traveling, sample the local fare, especially grits. But as we motored east, the multiple southern US menus I perused and their descriptions of gree-its (as Betty says, in the South, grits is a two-syllable word) didn’t jangle my taste buds. But I ate a lot of other regional stuff.

In Brownwood, Texas, I had a lot of BBQ, Texas style, but the real Texas dining delight was a big platter of Sunday morning chili that lit my nostrils up and made my head sweat. Hot tortillas too, and hot coffee. Outside, it was bumping over one-hundred degrees. Hot.

In Mt. Pleasant, Texas, I ate the worst etouffe I’ve ever had. It wasn’t inedible, just the worst I’ve ever eaten. Etouffe is a crawfish and rice stew, so to speak, and usually is tongue-tingling spicy and delicately nuanced in its seafood and rice paddy flavors. But this etouffe was mindful of mud. Not for nothing do they call crawfish mudbugs.

I ate BBQ from Texas all the way east into Virginia, but the best was at the Blues City Cafe in Memphis, Tennessee. Right across the street sat BB King’s blues club and the sound of delta blues rattled off the old brick facades of the clubs and restaurants that line Beale Street. My BBQ was boisterous and sharp-flavored, redolent of hot things and the sweet melt of brown sugar.

In Bentonville, Arkansas, I took on southern fried chicken in a wanna-be swanky joint, but the spice on the chicken kept revisiting my palate all night long. In gustatory conflict I reckon, with the sweet waffles served as a side to that fried bird.

At Pittsburg Landing on the Tennessee River, just north of Shiloh’s Civil War battlefield and the legacy of that vicious and horrible fray, I dined on fried catfish so light I thought it was some exotic denizen from foreign seas instead of American freshwater bottom feeder.

In Virginia it was finally grits. In an Arlington diner I took on the grits and wasn’t moved either direction, for or against. In Williamsburg, I tried them again and this time they lived up to my expectations. Like fine polenta, (and why not, they are both a form of corn meal mush) the grits were golden and full of cheese and butter and lots of shrimp and red and green peppers. Very delicate and fine. Now I know why southern folk brag about their grits.

Also, while in Williamsburg, I sampled some colonial fare…bangers and mash. In my ken, this English dish has a sorry reputation and when I have eaten it in the past (bangers and mash are mashed potatoes and sausage), they’ve left me swearing I would never do that again. But at the old Williamsburg colonial tavern where the staff dressed in 18th Century garb, the meal was tasty and passed the real test…my bangers and mash didn’t revisit my gullet two or three hours later.

In Boston I ate something that I haven’t really had since we moved to Idaho, unless of course we are traveling. In between film screenings, tours of Boston’s red-bricked and cobblestone-streeted North End, not once, but twice, on successive nights, I dug into a monumental plate of manicotti…cheese and red meat sauce and delicate pasta. Ahh!

And then further north, to Nova Scotia, Cape Breton and seafood. Seafood pasta, chowder, haddock fish and chips, haddock fishcakes and chow chow, fish, fish, fish. I probably eat seafood four or five times a year, but I’ve been eating it every day, sometimes twice a day. Even lobster.

The Wind

The wind blows in Idaho this time of year. Totes the angry vestiges of another aging winter. Grass leans, limbs break, birds balance in the tops of aspen branches that tilt away from the gales that holler off the east Oregon desert. Time moves east to west around here, the wind sweeps west to east and yells back at us about what we time-mailed West Coast way yesterday.

And yesterday the wind blew, and last week, most of the week except for one or two golden days where the rays made us think of planting spinach and snap peas; but then, here it rolled in again, the blustery breath of early spring, stirred up by differences in barometric pressure. Wind is air movement pushed out of high pressure areas into low pressure areas. Winds create havoc in hurricanes and typhoons, can lift the land off the top of Wyoming and haul it all the way to the bottom of the Atlantic. It carves, cuts and makes you crazy.

Once Betty and I stood above the Palais de Papes in Avignon, Provence, admiring a late spring view of the Rhone, the hills, the old town, when a blast of hot air known locally as the Mistral almost knocked us over. I recall reading somewhere about that wind, and Gauguin and Van Gogh and how the Mistral helped drive Van Gogh crazy.

When I lived in southern Arizona, the wind got up in the spring and blew a layer of dust for days, stinging eyes, skin, the leaves of newly planted pansies, testing your ability to stay focused on the business of getting by. In the summer, great hullabaloos formed up over Tucson and harangued our way, as if to furiously eradicate the city of Phoenix and everything in between.

I lived in that desert in early the seventies, not too long back from the war and metaphorically speaking, walking backwards into a stiff gale. In 1972 I recall standing outside my house and watching one of those brief and violent late afternoon holocausts rear up and try to exterminate everything in its way. Spiny Sonoran Desert mountain ranges over four thousand feet up were dwarfed by the chocolate brown fury. It roiled and rolled, like a flood rush of muddy water. When it attacked us, the sky turned black, trailer houses moved twenty feet to the northwest, telephone poles snapped like match sticks, privet bushes lost half their leaves. Everything and everywhere owned a coat of fine brown clay.

When Betty and I lived in the high mountains of southern New Mexico, the wind blew from late February through May. Steady. Brisk. The moan and whine of old spruce trees as they rubbed up against each other and the wood in your back porch deck. The gales, gusts, and breezes that hauled Arizona’s surface over the Gila massif, the Black Range, the San Andres, finally picking up the white gypsum sand outside of Alamogordo. Plastering it on the sides of mountain top Ponderosa pine and red fir so that it looked like snow. The season of creaks and cracks and listening to the trees complain in the middle of the night. Worrying about the hood of your car. The roof over your bed.

In Cloudcroft, NM, the bars bustled that time of the year. Men stormed in and threatened each other with big Bowie-type knives, .357 magnums, fists, snow shovels. The schnapps and cheap whiskey spilled all over the bar tops. Boot heels up in the air. Old woodstoves smoking where the melting snow leaked in and dripped dripped dripped.

Everyone seemed on edge. That was the time of boredom, before planting, before moving the cattle, often too muddy to go into the woods to work. Just time to drink and dream and stew. That’s when the Apaches would come to town and irritate half the white folk. I don’t know if it was all on purpose, the back and forth between the white folk and the natives. But it bubbled up everywhere: in the mercantile, the gas station, the Western Bar. Barkeep Frieda used to get after the young Apache men as they taunted her over their glasses of draft Budweiser. She’d call the law. They’d laugh. The law would show up. Sometimes a fight ensued.

Once a young Apache man came to town and ran out of gas in his pickup. The wind blew that day, too. I recall the fluttering skirts and scarves of women bustling on the boardwalk, the American and New Mexican flags slapped straight out from the flag pole.

That young Apache man went around and begged for change to buy a couple of gallons of gas. I sat in the Western Cafe and drank hot coffee and watched. He tried at the gas station. They threw him out of the bank. He walked up to the door of the bar, but thought better. I don’t know, maybe he’d been kicked out of there before when he wasn’t so needy.

He went from store to business to store down the length of Burro Street. Out of sight I wondered about all the animosity between whites and browns, whites and yellows, black and brown, yellow and red, hell, anything that makes one different is enough to start the process, like a little breeze that gets up in the afternoon, then steadies into a wind that gusts with particular fury. Sometimes it’s a typhoon and blows the world down onto its knees.

After finishing my coffee, I walked down to the post office to get the mail. The wind forced me to tilt my back into it. People in the street leaned this way and that, any way they could to fight the power of what they could not stop.

After I checked my mail box, I saw that young Apache standing at the door, hitting everyone up for change. He wasn’t having any luck and I wondered how I could slip by him and out into the wind. I didn’t want to get caught and have to say, “No.”

For a moment, a gaggle of women dammed up against the entrance…purple pant suits and the quilted outers of down jackets. L. L. Bean boots. I saw my chance to escape but by the time I arrived at the door he was standing forlorn and single. I figured if I didn’t look him in the eye, he’d leave me be, but for some reason I looked him in the eye. What I saw was nothing to fear.

He said, “Hey, man, I ran out of gas and I…”

I already knew his story. It’s as old as mankind. For some reason, against my will, I stuffed my right hand in my Levi pocket and pulled out a lump of dollar bills, quarters, pennies, dimes.

I shoved it at him, “That’s all I got.”

I swear some tears rose in his eyes and I doubt it was from the wind. He started to pull off a silver and turquoise ring the size of my thumb, and said, “Here, man,” but I threw out my clenched fist and said, “Naw, ain’t necessary.”

He began to say something else, but I didn’t stick around, just had to get out into that wind.

On John Rember, Sun Valley and Ernest Hemingway

This morning Betty and I are in Sun Valley, Hollywood in Idaho, at the Sun Valley Film Festival. Our film wasn’t chosen to be screened but our friend and mentor, Christopher Beaver has a film—Tulare-The Phantom Lake—entered and he invited us to represent him since he would be busy filming elsewhere.

Besides representing Chris, we will be doing some networking with film folk and as always, finding time for Betty to practice her photography.

Sun Valley is a beautiful place, but like many locations that sport ski areas, it seems a little too glitzy for me, so we will take a break or two from the festival and head north (if the weather permits), over Galena Summit into the Stanley Basin and escape to something a bit more real.

Fairfield, on the Road to Sun Valley

The Stanley Basin is a hard country—a beautiful country—but a hard country. The Salmon River and several of its tributaries meander down from the surrounding peaks and form a bowl that holds the heavy air of winter so that the climate in the Basin is some of the coldest in the country. People who endure in the Basin year ‘round are few, they are hardy and they have an arrogance that announces they can make it through the frost, the cold, the wind, the snow, the long, long teeth of winter’s bite.

The valley is rimmed by the Sawtooths on one side and the Boulder-White Clouds on the other. The bottom land is willows and sage and aspen in the cold, wet spots. A favorite recreational area, the Basin draws sportsmen from all over the world as does Sun Valley, but a twain often resides between the kinds of men and women who go after the glitz of Sun Valley and the folks who travel into the Stanley Basin.

Big Wood River, south of Sun Valley

Not to say that I am either a glitzer or a rough-necker, I am neither. I do enjoy the outdoors, but also enjoy the conveniences of the town where I live.

The Stanley Basin is one of those places that is so beautiful in late spring and summer and fall that you just want to rent or buy a cabin and live there away from it all. But according to Stanley Basin dweller and part time native, John Rember, the Basin and its hardies eat up newcomers like premium ice cream.

Last month I heard Rember, an author and educator, talk about writing. He also read one of his short stories. Rember lives in the Basin on the property his father and mother weaned him on when being able to kill a buck, an elk, catch a salmon, really mattered to one’s ability to survive. Not like now, where the state regulates hunting and fishing and we go do it because it’s fun and our friends want to kill something and so do we.

I was so impressed with Rember, I bought two of his books, MFA in a Box (Dream of Things, Downers Grove, Ill, 2010) and Traplines (Vintage Books, New York, NY, 2004).

MFA in a Box is a how-to, a why-to book about creative writing. But more than that it is a journey through literature from The Epic of Gilgamesh to Ernest Hemingway. On the way, we get a little Jung, Dostoevsky, Boccaccio, Borges, Atwood, Camus, Conrad and Bly, to name a few. We also get a look into Rember’s life. Besides being a survey of literature and a how-to book about writing, I think the book is also memoir.

For example, here is a passage from the chapter on “Writing Image.” Rember is writing about a dream he had, about Hemingway (Rember evidently used to run into Hemingway before that author’s suicide in 1961), and other things.

I’m walking along a river. It’s swollen with spring runoff, and as I am wading through flooded riverbank grass I look ahead to a crowd of people clustered at the side of a bridge. I get closer and see that they’re looking at a body wrapped around one of the pilings. When I get to the crowd, I ask who has drowned. Somebody says it’s Ernest Hemingway.

Hemingway looks awful. Fish have eaten off his nose and his flesh has the clean translucence of death-by-washing.

When I initially read this passage, I thought it was real because of the quality of the writing. Notice Rember’s prose. Short and gets to the point, and not unlike something Hemingway would have written ninety years ago. Notice how Rember uses imagery in the piece. You can see the setting, the people, the death.

In his book Traplines the author delivers fourteen essays about the Stanley Basin: learning to hunt and fish, making bombs, building fence, and trapping, among other things. In his spare prose, similar to Hemingway’s style in that regard, Rember muses on his days running a string of pack mules in central Idaho; on skiing volcanoes; on shooting rockchucks with his first date, an older girl named Corinna, the sheriff showing up as they are drinking beer, Rember being the age of fourteen; hauling freshly cut and peeled posts in Harrah’s old De Havilland Twin Otter aircraft into a ranch in the back-country.

Along the way, we get insights into how Rember thinks, what is important to him. Educated at Harvard and the University of Montana, having taught creative writing at College of Idaho(among other places), he has a somewhat unique point of view considering the meaning of life.

I have not been into the Sun Valley or Stanley Basin country since I read these two books by John Rember. So when we go over the summit, I will be looking at the country to see if I can identify places he talks about. Along the road looking at the russet branches of willow and the bare limbs of the quakies in the cold places, I will consider what he told me in his books and mesh that with what I think, what I know about life coming from another place—the desert—and having my own stories of hard-bitten life.

And if I see a moose, or not, I will think I’m in the wilderness, even though the glitz is just over the summit.

Canyon de Chelly

Recently Betty and I journeyed to the Southwest to show our film and visit family members who live there. On the way back to Idaho, we visited a few places that we had not seen for many years as well as a few places that were on our wish list.

One of the destinations was Canyon de Chelly on the Navajo Nation in northeastern Arizona. I was born and raised in Arizona and yet had never ventured there. My father often talked about us visiting Canyon de Chelly. (He pronounced Chelly, as Shelly, instead of the Spanishized word “Chelly,” which has been incorporated into English so that it is pronounced “de shay.” The Navajo word for the canyon is “Tseyi” which was borrowed by the Spanish as “de Chelly” and incorporated into English from there.) But we never went and I suppose it was because my father did not like to go anywhere too far from his house, his job, his business, and I also think he didn’t really want to go much of anywhere with me. My saying as much isn’t to rebuke my father, because I was a handful when young, always getting into messes in places I had no business getting into. I talked incessantly and asked a lot of questions. I had opinions—strong ones—which when expressed, often made my father’s face turn the red color of the cliffs in northern Arizona.

In the summer of 1963, I worked on the Navajo Nation in a little slaughter house that killed dry ewes. The packing plant sat on a small piece of private land outside of Window Rock, not really that far from Canyon de Chelly. But I never ventured to the canyon, just hung out trying to see if I liked smoking cigarettes, getting trucks stuck in the snotty clay of a wet summer, dreaming about sex and being scared near to death about the sin of it all, the chilling thrill.

But two days before Christmas of 2011, Betty and I met Leon Skyhorse Thomas, a Navajo guide, musician, filmmaker and native ceremonial officiate, at the visitor’s center of the canyon. We climbed into his beat-up white Jeep with our camera gear and drove into the heart of Canyon de Chelly. The walls are the color of terra cotta when the light is right, and almost orange when the light is right a different way. They shoot right up like someone cut them with a cross-cut saw, then used an adze to shape them. It was early and cold and the breeze was like Kit Carson’s saber when he drove his U S Army troops into the canyon in the 1860s to destroy the native strongholds and their beloved peach tree orchards.

First Ruin

The ride in was rough along roads that seemed to change like the tracks of sidewinders in a wind- driven sand. The walls were narrow and Chinle Creek was mostly frozen. I asked about the notorious quicksand of the canyon and he laughed and told me he’d buried three vehicles in the canyon. After hearing that, I seemed to sit lighter in my seat as we jounced and bounced and battered our way down the track between the narrow walls. Several times Leon stopped, got out, and surveyed which route might be the best.

There are still farms in the bottom of the canyon, and people live there in the summer. The way the light lit up the warm, south-facing walls of the canyon played against the dark walls of the cold side and we were rocking and reeling back and forth between the dark and the light.

White House Ruin

Leon spoke Navajo to us. A lot. He sang to us in Navajo, too, and he chanted a prayer. And he took us to First Ruin and White House Ruins and to natural alcoves, one where Navajos had scratched pictographs in charcoal that documented a Ute Indian raid into the canyon. We saw Anasazi petroglyphs and Hopi petroglyphs and both ancient and more modern native pictographs. Petroglyphs are art sculpted into rock. Pictographs are painted with pigment onto rock. And the wind knifed through the bare limbs of the cottonwood trees. And the cold pelts of the resident cattle and horses were fluffed up to deflect the cut of the morning.

Canyon de Chelly Petroglyphs

Once, parked next to some rock art, Leon began to explain the Navojo sensibility vis a vis the canyon. As he spoke he changed from English to Navajo. We didn’t know what the words meant but we understood the emotion of them as they flew away from Leon and married the sculpted and concave walls of the towering cliffs. His words began to echo, around and around us, through the trees, along the fence lines, and back against the walls.

Canyon de Chelly Pictograph of Ute Raid Into the Canyon

For visitors to Canyon de Chelly, there are motels with clean rooms and good food. The Navajo people are friendly and attentive. I suspect summertime is very busy and very hot. The fall might be the best time to go, because as Betty likes to say, the fall is always the best time to travel.

Leaf Peeping

I am a desert rat and have since childhood mouthed dialogue about the beauty of the mountains vis à vis the desert. The mountains generally have no sand and wind that drives the sand and pits the paint job on your new Mercedes Benz, no short-legged plants, no spiny cacti, but trooping phalanxes of spruce and fir and pine. But here I am after a life lived and I’m still in the desert. The mountains are close, but I still hover around the roots of the big sage, the bitterbrush, the winter fat.

Once it was mesquite and palo verde and saguaro and Indian wheat. The names have changed but the milieu remains the same. Relatively dry, relatively warm. Big open vistas, a certain beauty to the landscape, even if it is harsh, or its ambiance is harsh.

Yet the harsh nature of the desertscape is no more dangerous than what one encounters in the pine-clad high country to the north of Boise, Idaho, where we live. I’d say fifty below is harsh even if it inhabits the pristine beauty of a winterland of ice crystals and frozen mist and miles and miles of spear-point spruce sheathed in an armor of ice. Maybe that is why I stick to the lower extremities of earth.

Regardless of my obvious preference for desert climes, for six years I lived in the high mountains of southern New Mexico and the legacy it left me, among other things, was a love for the turning of the leaves. Once I read an essay in The New Yorker Magazine by Stephen King about “leaf peepers.” When I saw the title I was curious about leaf peepers and what kind of insect they might be that sat on leaves and peeped their lives away in search of sex, breeding and compliance with the ultimate command to all life on earth: survive. When King described the leaf peepers, I was surprised to find out they are the people who come to Maine to watch the colors of the maple trees change from green to red and gold. As I read that article, I knew right then that at heart, I was a leaf peeper. I admit it. I am a tourist of foliage, a consumer of ripe reds, and orange tones that look like phosphorescent tints, and rusty hues that are redolent with memories of old Caterpillar engines left out in the rain for ages.

Two weekends ago, Betty and I, along with friends, ventured to Sun Valley, Idaho for a number of reasons, one being to take part in leaf peeping. We arrived on a Thursday evening and were disappointed with the color, but it was spitting a mixture of rain and snow and there was snow in the high country and I figured as soon as it cleared off, the frost would arrive and then the color change would accelerate.

On a Saturday morning that broke clear and fresh, we pulled out before sunrise and headed north out of the Wood River Valley, over Galena Summit and down into the Stanley Basin. As we broke over the summit, the Sawtooth Mountains on the west of the basin and the Boulder-White Clouds on the east reared up with their high shoulders, their peaks covered with fresh snow. The sunlight was just breaching the dawn and lighted up the peaks of the Sawtooths snaking from south to north. Sawtooth is an apt name for the peaks that remind one of the saws lumberjacks used to employ to knock down the big trees, long before chain saws showed up. Saws with large, sharp teeth that could bite into live wood, or flesh.

Fog and mist and nary a hint of air pollution hung in the air. Pronghorns grazed in the pastures of cow and sheep outfits with names like Busterback Ranch and Stanley Basin Ranch and Sawtooth Mountain Ranch.

I love aspen and learned it I suppose from the huge groves that cape the cold sides of the Sacramento Mountains of southern New Mexico. Aspen grow in huge gangs there, and love places where the snow gets deep and stays deep into the spring. Elk and deer and black bear seem drawn, as do I, to the groves.

When autumn arrives, the trees know (do they know like we do on some epistemological level?) that they need to go into survival mode to make it through winter. The green color in the leaves vacates and leaves the underlying golds and reds behind. The sugar in the leaves gets trapped and the frost, when seared by sunlight, reacts with the sugar and the leaves take on even more brilliant hues. This is what I adore, this chemical reaction turned into art….art….art.

When I was young, I went on camping trips with the Boy Scouts up to Holly Lake in the White Mountains of Arizona. It was usually August, so the leaves had not changed by then, but I still wondered at the way the Rocky Mountain Maple leaves reminded me of Picasso-like hands and how the sunlight caught in the dimples of the aspen leaves and shimmered as they quaked in the alpine breezes. (The locals called them “quakies.”)

One summer as we loaded vehicles to head out of the high country, we discovered a porcupine climbing an aspen. Since porcupines tend to be nocturnal, I suppose it was climbing up to find a notch in the limbs to sleep the day away, or maybe it was headed for an aspen leaf breakfast. I watched with…with…with what….horror? as some of the bigger boys bombarded the creature with stones, then large rocks and big rounds of aspen we had cut down for firewood. I recall the porcupine fell to the ground and I refused to look at it as they laughed and finished it off. I walked away and got in the back seat of an old green Chevy Suburban and we drove out of the mountains, back into the Sonoran Desert.

But on this latest leaf-peeping trip of a couple of weeks ago, the violence of humanity was not so readily apparent. Nestled in the coves, the rincons, the draws of the mountains and foothills lining Stanley Basin were stands of aspen in varying degrees of leaf peeper heaven. Yellow, gold and a red tints that seemed to capture all the glitz of Times Square as they shined at us, neon-like, as we drove the road toward Stanley. And they shined something else at us, a promise…a promise of more color to come.

The Bridge

Guest blogger Elaine Ambrose muses on an event that occured at the Perrine Memorial Bridge

As kids, we would hold our breath as our mother drove across the Perrine Memorial Bridge north of Twin Falls. I remember looking down at the Snake River, almost 500 feet below, and wondering what it would feel like to fly through the canyon. The bridge was 1,500 feet across, and it linked our simple farming village of Wendell to the “big city” of Twin Falls with its shopping center, museum, restaurants, and motels. Going rim to rim to Twin was an adventure.

The arching image of the Perrine Bridge has graced postcards from the local Chamber of Commerce for more than 80 years. Originally built in 1927, the structure was once the highest bridge in the world. Massive steel beams brace against rugged basalt walls of lava rock pocked with scraggly sagebrush, bitterbrush, and scrub oak. Majestic eagles and falcons, hungry hawks, and ugly buzzards soar on the thermal winds around the bridge searching for rodents and rabbits that scurry over the steep terrain.

Down by the river on the north side, the Blue Lakes Country Club offers some of the most spectacular scenery in the arid canyon. Lush green fairways, natural waterfalls, and dramatic, raw edges make it a popular and private course. One day in the fall of 1970, a group of golfers looked up to see an object fall from the bridge. It could have been a large vulture or a bag of garbage from a passing recreational vehicle. Not worth another thought.

My aunt was 41 when she parked her car on the south side of the bridge and walked to the edge. She stood a moment and allowed the endless wind to tousle her long auburn hair. She had driven away from a husband and four young children at home, but she couldn’t escape the demons. She straddled the railing, clutched the edge one last time, and then let go. Even in death, she was a failure as her body missed the water and slammed into the rocks below, a broken and useless heap that the recovery workers cursed as they maneuvered to salvage the body.

I was a teenager then, and my family members never spoke of the incident. The only words I remember were from my grandmother as she muttered something about “that crazy woman” and she reminded us that we wouldn’t go to heaven if we committed suicide. I often wondered how my aunt felt as she briefly flew through the air. Did she scream? Did she laugh? Did she hold her breath and imagine that heaven would let her in, even though she was a sinner? I hope she felt a bit of euphoric freedom in that breathless space between reality and darkness.

The golfers returned to their game, eventually my uncle remarried and moved away, and the bridge was rebuilt in 1976 with higher railings. Now people come from all over the world to BASE jump over the side. I imagine my aunt strapping on a parachute and jumping over the side with a crowd of people cheering her courage. Perhaps climbing over the railing was the bravest thing she had ever done. It was her leap of faith to reach something on the other side that was better than what she had.

I no longer hold my breath when I drive over the bridge. Instead, I whisper a prayer for my aunt’s soul. The words are lost in the wind as the river continues to flow to the distant ocean and the canyon walls turn toward home.

Elaine Ambrose left the family potato farm near Wendell to travel the world, write and publish books, raise marvelous children, and fall in love. Her life is abundant, and she is grateful. Find more details at her web site: www.millparkpublishing.com.

On Bangkok, Top Sergeants and Hookers

Last Friday my wife Betty and I enjoyed lunch with the Idaho Writer’s Guild while we listened to guest speaker and author, David Schmahmann, read from his book, The Double Life of Alfred Buber, (The Permanent Press, 2011).

I have not yet read the book, but from what I learned at the luncheon, it’s about a married and successful American lawyer who has an illicit relationship with a Bangkok, Thailand bar-girl.

As Mr. Schmahmann read from his book, my mind drifted into my own memories of Bangkok. In the early fall of 1967, I left Khe Sanh, Vietnam and flew to Danang and from there journeyed on to Bangkok for R & R.

We flew into Bangkok via Continental Air and after debarking were whisked to a room in the city loaded with service personnel from Vietnam: Navy, Army, Air force, Marines. An E-8 United States Army Top Sergeant marched into the room and delivered the skinny on hookers. Yes, I said it, hookers. It was strictly business. “Don’t deal with hookers who refuse to provide a look-see at the health card that proves they are in the government hooker provision program (or something official-sounding like that).” A program financed, I assumed, by the good old American taxpayer. At first it didn’t seem fair that the United States government should participate in disintegrating the social fabric of an alien society, and on top of that, a society that was assisting us in our fight to defeat Communism. But then I thought about it as the top sergeant talked the dos and don’ts of visiting another country, another culture, the need to respect conventions and customs. But it was hard to pay attention to instructions on how to shake hands or look someone in the eye when your main intent was to carnally know their daughters.

But his Top-Sergeant barks kept me listening. It makes sense, I thought, because us young dudes are coming here with a single thought in the back of the brain: It may be my last chance to get laid. Yes, I said that too, Get Laid. To party, to smooch, to dance, yes and we will look at some pagodas and the beach and buy some cameras and some sapphire rings, but really the trip here is to…get laid. And since we are going to be testosteroned, drunk, dreamily dazzled by the beautiful Thai women (and they are beautiful) in their miniskirts and low cut blouses, then why not get a handle on it, keep the VD and the STD and the pregnancies, the pimp-generated violence, to a manageable level. Made sense to me, in the often-twisted, practical way the military approaches attempts at proactivity.

At the club where we hooked up with the women, I wondered about how the Thai people saw this…this…what, this invasion? Cultural exchange? Did they like the fact that we were there, breeding with their twenty-year-old and younger women? Or was the cash we carried more important than the ramifications of what we left behind: half-caste children, a Thai-American patois punctuated with every vulgar, four letter word you can imagine, flavored with slang from Minnesota, NYC, Texas, Louisiana, Georgia, Wyoming, California? And who knows what else.

The girls acted like they loved us and told us so, as long as we coughed up the daily rate, which was cheap, five bucks a day for a rent-a-wife, a rent-a-wife and a whole lot more. As long as you fed them and bought them jewelry and clothes, they loved you, nuzzled you and did most anything you asked. We could have left it at that, sex, but I was interested in other things, too…the golden pagodas, the happy people, the strange culture. We went with the hookers to where they lived. Back behind the western-world façade of buildings that lined the thoroughfares, to entire communities on stilts, with bamboo walkways, teeming with people, shops with dried fish and crackly dried squid, rice, dried spices; families with 10 or 12 people dwelling in little rickety 800-square-foot domiciles perched on legs that made them look like giant water insects. Other than a toilet that drained below into the swamp, there was a kitchen, sleeping space and of course a place for the TV. We went in and met the people who lived there, their stoic faces appraising us as what, monsters? Saviors? I could not tell and have for years wondered about what seemed to me a backward world that demanded that young daughter shook Yank servicemen to keep families fed, clothed and sheltered. How did those people feel as we came in and threw our money around, insulted (even if it was unintentional) their customs, violated their daughters? I wonder now what kind of long-term ramifications that created. And I also wonder, given similar circumstances, if we could do any better than allow our children to prostitute themselves. But then a lot of Americans think we already do that, allow our children to prostitute themselves for a few bucks and a mortgage.

Don’t get me wrong, I whooped it up with the best of them in Thailand, and on my second R & R in Kuala Lumpur, too; but I wondered then, and I still wonder what kind of effect my ephemeral passing had there. Did it dry up like spent sperm or did it dig itself in and create something more, something better, or something worse?

My liberal friends often decry our involvement in the affairs of the countries we try to help with our military intervention, occupation, industrialization, globalization. They say we aren’t helping at all, altering the culture, leaving unwanted children, our customs, our violent ways, forcing our religious beliefs on the locals, our system of government, our military extravaganzas. Not to mention raping their natural resources and misusing their cheap labor pool. But I don’t think it is that simple.

And my conservative friends would say that we are doing all these places a favor, showing up, helping them conquer illiteracy, disease, converting them to the true religion, showing them the benefits of democracy and capitalism, helping overcome their internecine civil wars and revolutions, or in some cases, like Libya, helping foment revolution . But, again, I don’t think it’s that simple.

I don’t think our excursions into the affairs of our neighbors near and far are necessarily bad. Nor do I think they are all for the good. What I do believe is that when we show up to do good or maybe not do so much good, we bring the whole potato with us…our customs, our business, our culture, our music and TV, our movies, our religion. You can’t get the missionary or the military man to come help you without the business man following. If you want our help, we are going to sell you something, we are going to buy whatever you have that we want, and we are going to try and buy it cheap, and we are going to sell you something else in return, and we are going to try and sell it high. And when we bring the well rigs to help you drill for water, we will bring the Constitution and the Bible and the Book of Mormon, too. We will bring Britney Spears along with Abraham Lincoln. And yes, we will spend our tax dollars to help you fight AIDS, or poverty or a rancorous enemy. Hell, we might even arrange to have a particularly sorry leader assassinated. But whatever you get from us will be more than you bargained for.

And I have often wondered what I personally left behind there in Thailand. I left a considerable amount of cash, relatively speaking, and my innate curiosity led me to try and understand people, and not exploit them, but even though I didn’t want to exploit them, I believe I probably did. Not intentionally, but does that matter? In the long run? I wonder if I left children. For all I know, there may be Ken (or Kenneeneth) Rodgerses running around in Thailand and Malaysia, caught between the bone crunching drive of the old Buddhist culture of Siam versus the fast dance attack of the Beatles and the Beach Boys, Otis Redding, B. J. Thomas.

And if I did, what are those children now, or did they come here, refugees from the world I, at the time, helped defend, the surviving world I helped create? Maybe they are trapped between two cultures that don’t really want them and what they represent: our attempts to help, and sell, and buy and proselytize…to help.

On Grasshoppers, Mormon crickets, C-Rations and Cannibals

I just read an essay about Africa in which the author mused about sitting in an airport waiting for a ride out of Nigeria. As he dealt with delays and uncertainty, he killed time watching the insects fly around as evening arrived and he noticed how the locals trapped them and cooked them in a can. I’m not sure I’ve ever eaten insects on purpose, although sometime in my life I might have dined on some kind of six-legged critter. I suppose if you are ravenous enough, a cricket, an ant, a cockroach might hit the spot. The thought of munching on one of these hard-backed, black beetles I’ve seen on the trails around Boise isn’t too palatable and I’m sure their armored parts would not be as tasty as braised asparagus spears or a rare t-bone steak. I have no intention of finding out if cockroach legs taste as sharp as they look.

I have eaten some pretty sorry grub in my life. Once, in Vietnam, we went out into the bush for a two or three hour patrol and ended up staying over a week. We took no chow (on the orders of the Platoon Sergeant) and for a number of days received none either. Those of us who, disobeying orders, thought to take a can of chicken noodle soup or pound cake found ourselves quite popular. Once, while we were out there looking around for someone to shoot, or something to eat, a six-by Marine Corps-green truck loaded with soda pop come down the road and sped around a curve just below our position. The lieutenant sent a few of us to check out the chaos and we found a whole palette of orange Fanta spilled out into the road. The NVA were out there too, so we set up a perimeter and helped load up the wayward soda. When we got down to the last few cases of pop, we got into an argument about our share. The sergeant in charge of the truck full of soda said his orders were to deliver all of it to Khe Sanh, so he was thankful we’d helped round up the errant cans, but he could not share. Since we were hungry enough to eat the skin off the rock apes that lived up on the ridge, we took offense and brandishing our locked and loaded M-16s, acted just like old-time highwaymen and held up the shipment. We stuffed our pockets full and then ordered the sergeant, at gunpoint, to vamoose and we formed a detail to haul the rest of our take of Fanta up the hill.

We were hungry, actually on the verge of starving, and after three or four cans of hot fizzy orange Fanta, we began to vomit. After that, we reserved our food procurement activities to sweeps alongside Route 9 to see if we could find some discarded cans of ham and lima beans or beefsteak and potatoes. We did not, but we did find thrown-away crackers, Hershey’s candy bars, Big Hunks, and Almond Joys, all which were mostly rotten, so we picked the bad parts off and were glad to get what we could get.

We might have eaten insects, or other such critters, but luckily for us a chopper full of fresh water and cases of C rations showed up. Yes, we might have eaten the insects—they were all around us—and some of their cousins like big black arachnids with red and yellow stripes and blazes. Spiders as big as my hand which could provide a substantial repast and less inviting, the ever-present leeches. They loved to climb onto us for a ride, or try and slither into our mouths while we slept, or into our noses. I think I was lucky and found the ones that were on my lips, looking for a way into my mouth and further down. I think I got them all, of course in the rain and wind and the humidity, who knows, I could have gained protein from a leech.

Pondering bugs, this came to mind. Years later, in southern Arizona, returning home from viewing a high school baseball game in early May I stopped in Chandler, Arizona, to buy a Coke or a Coors or maybe some pickled jalapeños. It was one of those hot spring-times of the year when the Sonoran Desert is castigated by Biblical hordes of grasshoppers. I got out of my pickup to go into the 7-11 and as I walked across the parking lot I could hear them crunching beneath the soles and heels of my lizard skin Justins. Crunch, crunch, crunch. I am not a stranger to death and mayhem, but I remember feeling just the slightest bit squeamish as I massacred all those grasshoppers, cutting short their oh-so-brief flings and I won’t even venture into what I was probably musing on…if grasshoppers feel pain, know they are dying, consider death as we do in a self-conscious way, or if they just live and die, driven only by the need to survive long enough to fertilize their eggs.

After I came out of the 7-11 with my bag of Lays or sixpack of Coors, I remember stopping to gawk at the gangs and gangs of grasshoppers flying around the street lights. It reminded me of rainfall in Khe Sanh, the way the big drops seemed to thunder down between me and the lights, but instead of thundering down they flew around and around, so many of them the light was clouded, but eerier, as the shapes and hordes moved and shifted, they caused the light to reflect, then refract, then reflect. I crunched on to my truck. I had the window down and could hear the decimation of the grasshoppers beneath my tires as I drove south.

Herds of grasshoppers like that can scour the crops and I suppose that was their goal. Similar to my grasshopper experience was when I drove my Toyota Tacoma north from Sebastopol, California, to Boise when Betty and I moved. As I approached McDermitt, Nevada, I was suddenly surrounded by hosts of critters that splatted on my windshield to the point I could not see. I turned on the windshield wipers and they got mucked up so badly I did not think the wipers would work.

I stopped at the Texaco gas station in McDermitt and the bugs were all over the asphalt and gravel parking lot. They crunched beneath my feet. Bigger than grasshoppers, almost succulent, I’d say, and as I tried to avoid that squishy sound of death beneath my boot heels I recalled I’d seen these critters before. Once my friend Wayne Wolski and I trudged up the flanks of high Mt. Jefferson in Central Nevada on a backpacking trip. After scaling to the top, our breaths wheezing, our heads like overripe muskmelons, we struggled back down and on the way, found similar critters lying in the trail. We looked them over and headed on to camp for a meal of freeze-dried spaghetti mixed with Top Ramen noodles.

Inside the McDermit Texaco, I got the skinny on “Mormon crickets,” as the lady called the succulent joint-legged denizens out there crawling, zooming, looming about. Talk about biblical or more than that, “Book of Mormonical.” I’d read about the hordes of these critters, which are actually katydids of sorts, but unlike the image of katydids of bucolic wonder that you might read about in stories like “Little House on the Prairie.” These katydids, these Mormon crickets , toted a sinister reputation that made my neck feel like a Rotweiler’s might when his hackles get up. I had read about them migrating, for one supposed reason, to keep from being eaten by other Mormon crickets.

Cannibalism. These critters eat each other. In our civilized time, cannibalism makes our skin crawl, or mine anyway. I think about Cormac McCarthy’s The Road, and the constant need to eat, and the constant fear of being eaten. By other humans. Our civilized neighbors. Primitive, like it must have been in the old days, when food didn’t exist at Winco, or Safeway, or Whole Foods, but had to be foraged and scoured from whatever source was available and whenever available.

I think back to those days on that little hill alongside Route Nine in Vietnam and if we’d have had to go much longer, we would have begun eating insects, snakes, lizards, and when those were gone, what? Imagine, eating one of your comrades, one who had died in battle, or worse, one who had died saving you, protecting you, and then becoming a source of a different type of salvation. And from there it’s not hard for me to imagine how starvation might drive you to kill and eat a person more as quarry, as game. And maybe enjoy eating them. Achh, and maybe developing ritual to make one feel better about dining on one’s own species.

Ah, but we aren’t like that…..we are civilized.

Yes, we are civilized and don’t do things like that. Wolves do that, and fish, and lions, and bear, and Mormon crickets. I wonder.

Words inspire pictures inspire words

Idaho photographer and educator Mike Shipman guest blogs in this week’s regular Friday edition.

When I was in high school, I wanted to be a writer; which was after I had passed up opportunities for lead guitarist in a rock band, pro football player, archaeologist, and architect. Words were escape, and still are; a transportation to another time and place, a transformation from one being to another, one lifestyle to another. And, words were (and are) therapy; sometimes, or often, expressing triumphs and failures through made-up situations and characters. When I write, and when I read, the words inspire pictures in my head (as I’m sure they do for you as well), whether Abbey or Leopold, Nabokov or Asimov, Feynman or Gould, poem or newspaper. The images are recalled part (or all) from past experience, knowledge and familiarity of the subject, or completely made up from my current knowledge, my emotional state at the time, or the flights of fancy driven by my imagination.

For example, this poem written by Bret Harte (1839-1902), published in 1880, evokes a variety of images:

The Two Ships

As I stand by the cross on the lone mountain’s crest,
Looking over the ultimate sea,
In the gloom of the mountain a ship lies at rest,
And one sails away from the lea:
One spreads its white wings on a far-reaching track,
With pennant and sheet flowing free;
One hides in the shadow with sails laid aback,
The ship that is waiting for me!

But lo! in the distance the clouds break away,
The Gate’s glowing portals I see;
And I hear from the outgoing ship in the bay
The song of the sailors in glee.
So I think of the luminous footprints that bore
The comfort o’er dark Galilee,
And wait for the signal to go to the shore,
To the ship that is waiting for me.

These words bring to mind a photograph I made on the Oregon coast:

In turn, pictures inspire words. When I look at pictures – paintings, drawings, photographs, moving images, or shadows – I can describe what I see, feel, how I react, in words. I become aware of various associations and “resonances” awakened by the image that can also inspire new and unrelated words and stories completely out of context to the picture’s original content, intent, subject, or subject matter. It’s important for visual artists, like photographers, to be able to describe their creations in words. It helps the viewer understand what the image is about, how it came about, what it means to the artist, and helps the artist understand for himself what the work is about. And when you write words inspired by pictures those words, coming full circle, need to inspire pictures in the mind of your reader.

It might be easier for some people to find or create pictures from words than to craft words from pictures, and vice versa. But, with practice, illustrating what you read and writing about what you see becomes easier and, being interconnected, help improve both.

“The greatest thing a human soul ever does in this world is to see something and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy and religion, all in one.” John Ruskin (1819 – 1900)

Mike Shipman is a freelance commercial, editorial and fine art photographer and educator in Nampa, Idaho, and owner/photographer of Blue Planet Photography (www.blueplanetphoto.com). He is an Idaho Commission on the Arts Teaching Artist and leads workshops and classes in the western U.S. and around the world. His work is found in private and corporate collections across the U.S. and exhibited in the Boise, Idaho area. He believes everyone is creative.

Oh Outhouses, Four-Holers, and Burning the Heads

One of the Twitter headlines for The Washington Post.com on 4/5/2011 was, “Is it impolite to bring reading material to a public restroom?” I chuckled when I read that and not because of the inanity of the query, but because of memories that hove into my mind’s view.

In early April, 1968, I had just escaped from the siege of Khe Sanh and was killing time in the 1st Battalion, 26th Marine Regiment rear at Phu Bai south of the old Vietnamese imperial capital, Hue, waiting to go home. Luxurious being able to sleep in every morning on a cot, above ground, in a covered hooch, no mud, no incoming. Luxurious with hot showers, hot chow, movies, sodas, beer, no work parties. Luxurious, too—and this will sound basic, basic as hell—walking to the head with the latest edition of The Stars and Stripes military newspaper without doing the Khe Sanh Shuffle. Not worrying about being blown off the toilet seat while taking care of one of your most intimate acts.

The battalion head at Phu Bai was a four-holer housed inside a substantial building vis à vis the one-holers I was used to. I had some experience with heads…crappers. On several occasions, I had to burn the “shitters” as we called them in Vietnam. I had shitter-burning detail for a whole month in August-September 1967 on Hill 861. Alphabet (a Marine with a Polish last name too hard to say or spell), Spooner and I had given each other Mohawk haircuts, out of boredom, I suppose, and the Company Commander, after catching sight of one of us, ordered us to fix the damned things. So we did the only thing possible, we shaved our heads and of course, given military logic, that was worse than a Mohawk, so the three of us had to run all the way around the trenchline of Hill 861 as our fellow Marines pummeled and slapped and kicked us as we stumbled and huffed and puffed and elbowed each other to come in first which really was not part of the punishment, to come in first, but as you know, coming in first is important. As I hunched my shoulders and kept my face buried to avoid the hands and fists attacking me, I recollect I thought of Tyrone Power in The Black Rose when Orson Welles as the Mongol warrior Bayan forced Power’s character to run lengthwise on a log through a dangerous gamut of Mongol warriors slugging Power’s character with inflated pig bladders with the intent of knocking him off onto spearheads buried point-end-up on both sides of the log.

Our reward (Alphabet, Spooner and I), whether we finished the circuit of Hill 861 first or not, was burning the shitters and the trash dump. Which we did. Twice a day. Using gasoline, diesel, and wet matches. Ignominy was draped on our shoulders. We smelled like what we tried to burn. Everything was monsoon wet. We joked about it and laughed and exaggerated our every crapper-burning action, but no matter how hard we tried, we were shitbirds, as the term goes. Luckily for me, time and time-in-grade moved me past my shitbird moments, through the dank wet of monsoon floods, red mud, two trips out-of-country on R & R, and then as a grand finale, the siege.

Then on to Phu Bai, where the head in Phu Bai was not under constant attack, as had been the heads in Khe Sanh. Right now I can smile at the guttery notion of it all, running between incoming rockets, mortars and artillery to do your business, but men were killed and wounded while conducting their affairs in the head. So, being able to sit on the throne and read The Stars and Stripes without fear of flying shrapnel, even though there was little privacy between stalls, just a half wall, was still paradise. That’s one of the things you learn in war and privation, the elegance that can be had with the most basic of functions in the most basic of places.
In the head at Phu Bai, what was scratched on the walls was more interesting than reading in the paper about Lyndon Johnson deciding not to run for re-election, or who won NBA basketball games, or who got killed that week in-country. Some of the messages left dug into the unpainted walls were names, dates, home town, home states. One of the most interesting things I read:

We are the unwilling
Lead by the unqualified
To do the impossible
To help the ungrateful

I laughed when I read that little verse. It was cynical, yes, bitter, yes, but something about it drove home a little sharp stake near where I imagined my emotional heart, not necessarily the physical heart, lived. The unqualified out there tearing up a country, killing people, getting killed…and most of those we were trying to help, ungrateful. Not a comforting thought as you sat there, relaxing…not a comforting thing to think about. But like having to dodge shrapnel on the way to the crapper, not much about the Vietnam War was comforting.

To this day, while driving down country roads in Idaho, finding abandoned homesteads, often one can still find the outhouse. When I was a kid in Arizona, some of them were still functional. My grandfather had one on his old outfit. Tar paper, black widows, cold seat, hot seat, gossamer trailings into the dark corners. Flies. Seeing those old outhouses, with their doors flung open, hinges missing, throws memories at me, about incoming artillery rounds, my shitter-burning details, running the gamut, getting pummeled like Tyrone Power, and that message carved into the wall at Phu Bai.

I’ve never had an affinity for communal heads, and try to avoid them as much as possible. I’m not sure if that’s due to my bathroom days in a war zone, or the unwanted but often truthful messages carved into the paint on the walls. And whether someone carries Time or Good Housekeeping or Playboy into a stall is not my concern, nor is it my business.