But I Won’t

The cock’s crow rattled me and sent my mind marching through memory’s journeys: into an old barnyard where I once stepped on a rotten egg while watching a big black-and-red rooster send out his call, the sickly pop of the decayed shell followed by the stink of the gas that hung in my nose for hours after Mother came and hauled me home; or down the muddy chuckholes of Beech Street where roosters sparred in a chicken coop beneath an ancient mesquite tree that the neighborhood kids said housed a spirit who could speak to rattlesnakes.

Betty and I have been on the road for a little over two weeks and are now snug in a three-hundred-year-old adobe in New Mexico near where the crowing cock lives. We’ve been here several days, admiring the ancient pine vigas holding up the roof and the micaceous clay plaster shimmering on the walls and the ancient floors that once felt the thump and thunder of dancers hundreds of years past when this adobe was part of a larger rancho.

One of the details about this area, called Talpa, is that it is a place of “brujas” and memories keep ghosting into my recall—not just rooster and cock crows, but other things that I suspect have barged into my mind because of all the things we’ve seen on this trip while motoring through rain and snow and peaks and deserts, canyons, ponderosa forests, redwoods sweeping the fog off the tops of ridges; days so clear they sting because of the singular lines between the blue of the sky and the snow-capped peaks beyond; and the cattailed marshes in the foreground are as pure as a spirit who tells no lies. Who knows, maybe the recollections are haunted by the spell of a local bruja living down Archuleta Road.

My memories usually turn to something more visceral, where I am captured in a concrete space where actual time has taken leave and left me mired—but not always, sometimes I’m in a sweet space that candies up the moment—in the details of a particular incident ten, twenty, thirty years gone, or maybe more.

This time it could be all the fog on the trip. As we drove, the clouds hung like shifty gray shrouds on the black macadam winding through the wild country between the Sierra Nevada and the White Mountains. And then we encountered the fog that rises from a warmer, damp ground when smothered beneath cold air hovering overhead.

As I lay on the bed and looked at the log vigas in the old adobe, those recent fog images hurled me back fifty-plus years to a bleak and lonely night on the Laotian border when me and a Sioux Marine we called “Chief” were on a listening post in a curtain of mist so thick I damned near drowned in a pool of it as I crept down a trail I could only sense beneath my muddy jungle boots.

Chief and I tried to sneak about our grim business, like quiet death after a long coma, but we scraped and jingled where our dungarees met our web gear and our steps in the mud sounded like the sucking noise you make when rocking your boots out of wet, red clay.

We set up our listening post on the lip of a huge bomb crater and tried like hell to make out what ghosted within the haze that hurried past our chilled faces as it traversed west to east like a thief leaving Las Vegas heading to Salt Lake.

It’s funny how the imagination dredges up specters full of danger when you can’t see, and we listened for anything other than the sound of the fog, its cold voice like a low sonorous chant from an all-male chorus in an ancient Capuchin monastery.

And, in my memory at least, the fog was gone before we could contemplate it leaving, and we were stunned with a night so bright that the wet mud from the bomb crater reflected light at us that rendered me naked, a frightened waif, waiting to die.

The moon was full and as big as the snout on a five-hundred-pound bomb, and off in the distance, the flicker of stars went on and off like interstellar messages sent via semaphore.

And then, as if the night was meant to be a parade of differing tempers, a thunderstorm roared in from the same direction the fog had come, and we were lit up not by moonlight, but by lightning that crashed and boomed so close, the ground we sat on shook, and the rain came at us like cat’s claws followed by hail as hard as machinegun rounds and then the rain beat upon us again. Sheets and sheets of it shrieked out of the black.

We rolled up in poncho liners and donned ponchos, but soaked to the marrow of my backbone, I began to shiver, and then I began to shake and my teeth chattered so hard, I feared the enemy could hear them.

Chief, a man of few words, grabbed my poncho and pulled it over my head and I began to scrabble, all arms and legs, to make him stop, and then he yanked my poncho liner from around my body and exposed me to the horrible blare of the rain and thunder. Then he rolled up against me and put his arms around me and we were suddenly beneath poncho liners and ponchos and then he whispered, “Blue-eyed boy, you got hypothermia”—something I’d never heard of and something I felt Chief knew nothing about. “Settle down, Blue-eyed boy, hypothermia can kill your dumb ass.”

Those words frightened me and as the rain settled into a steady drizzle, I gradually stopped shaking.

What bothered me as much as fog and thunder and mud and lightning and rain was the fact that we—two warriors exposed to the elements and whomever might be crawling through the soggy night to slice our throats—were trapped in a momentary intimacy that felt taboo in a way that United States Marines back in 1967 would never understand. And I felt that lack of understanding and I envisioned myself as weak, unfit, and violated, although I had not been violated. I feared that my fellow Marines up on the hill would find out what Chief had done to…to…save me, and I would be stamped, forever marked.

But neither of us ever said a word and several months later Chief rotated home and I sometimes, at night, see his thin face smirking from my cold, damp dreams. I am haunted by my inability to contact him out there in South Dakota and thank him for saving me; and I have thought about driving back there on one of Betty’s and my adventures and talking to him, but I never have and probably never will.

He may be dead, he may not want to relive the memories of that war, he may not want to see me and talk to me about that night where he wrapped his arms around me and chased the killing cold from my body. He may, he may, he may…I know, they are excuses and I should analyze them, take them apart like a Marine disassembling an M-16 in the pitch black of night.

But I won’t.

Endless Autumn

I was reared in the deserts of southern Arizona and the fall of the year was like most of the year. Dry and dusty. And it could be hot, too. So when I heard people gasp and praise the colors of New England or the vast aspen groves of the Wasatch chain, it did little to stir my innards. I looked at photos and yes, the reds and oranges, yellows and golds, russets all were pretty but little did I understand how those colors in real life could rivet your eyes to the serrated edges of leaves, the black of ash tree branches hiding behind the bright gold of the leaves, the shimmer of the blood red aspen leaves ringing high New Mexican meadows.

Garden Valley, Idaho Photo Courtesy of Ken Rodgers

And yes, I did live in New Mexico and there I became aware of the acres and acres of aspen that grew in the cold spots of the Sacramento Mountains. Some years the autumn reds and golds blazed, and some years not. Some Septembers the rains came in phalanxes of black and gray and tormented the leaf peepers from the desert climes of Texas and the Rio Grande Valley of New Mexico. Those years the leaves immediately went from green to a wan yellow pocked with dark spots and quickly to dull black. A wet mess that instead of drifting in a brisk breeze like flags on top of an alpine bed and breakfast, fell splat in damp blankets that pasted the ground beneath the trees.

I’ve lived almost all of my life in the west and I’ve seen the best the west has to offer in terms of fall color, so when people say that Ruidoso or Taos or Heber City or Squaw Valley rival the colors of New England I am here to tell you that generally speaking, those folks are hyping real estate or some other reason to get you to come to their country. The hills of Maine and Vermont and New Hampshire are without a doubt one of the most outstanding places to be when the maples show their flashy—yes, I think I can say—their brazen petticoats of autumn. When I say outstanding, I mean in the world, the planet, the universe as we know it from our tiny point of view.

Aspen, Wood River Valley, Idaho Photo Courtesy of Ken Rodgers

But…but, there is often a but…this year, 2013 in the western United States, from my vantage point, has to be one of the most amazing years for color that I’ve ever seen…maybe the most amazing, and this includes the autumns of New England.

Betty and I were in Garden Valley, Idaho, for the initial turn of the aspen, and then in the Wood River Valley, and the Stanley Basin of Idaho. And the colors rose up off the leaves and glared at me as if I was being inspected by the trees and I must say, it made me feel small, made me feel wanting, and that feeling was followed by an exhilaration that was mindful of balloons rising in the fall of the year over Albuquerque.

By way of a caveat, I will say that one of the things that made the 2013 colors of autumn in Idaho so outstanding was the contrast between the blaze of tints and the harsh sage brush and cheat grass land surrounding the rivers and creeks and seeps that snake down the mountains, hills and valleys of Idaho. And it wasn’t just aspen and cottonwoods and maples and ash trees that seemed to glow in the brisk, sunny light, it was the riparian willows turned to red and gold as they defined where water runs in this arid land.

Salmon River Country, Stanley Basin, Idaho Photo Courtesy of Ken Rodgers

But of course, the colors of autumn are ephemeral and leave us too soon, and leave us, too, with the sad knowledge that winter lurks in the near future.

But as Idaho’s autumn tints began to dim, Betty and I went south and found the colors just starting to show in Nevada, like huge surprises, the cottonwoods on the Truckee River as it meandered off the Sierra Nevada into the sinkholes of Central Nevada, and up and up over the top at Donner and down into the Sacramento River Valley, the colors less aggressive, still with a benign green that promised an autumn to arrive real soon, in the week, the weeks coming…and just for a moment I hoped for an endless autumn.

Donner Lake, Sierra Nevada, California Photo Courtesy of Ken Rodgers

But there are no endless autumns. Autumn to me parallels the period of my life that I now inhabit. An autumn where the colors are so vibrant they leave me searching for the meaning of beauty, where the days are brisk and drive energy into tired bones. And the sadness that comes as you understand that what is to come will be more like the rubbed-raw blast of winter.