Tag: Spring

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On Spring, Green and US Highway 95

Wednesday Betty and I drove from Boise to Moscow, Idaho, and Pullman, Washington, via US Highway 95. Well, not all the way; the first hundred or so miles we journeyed along Idaho Highway 55 through Horseshoe Bend, up the Payette River Canyon into the high long valley that runs through Cascade, Donnelly and McCall, Idaho before dropping down into New Meadows and Highway 95.

Payelle River Bridge

Springtime in Idaho is always my favorite time. Often tinted a dead brown, the state comes alive with multi-hued greens and the beginnings of wildflower season show up with yellows and reds and blues. The sky is enigmatic, often the most crystal shades of blue before turning sullen black with wide sprays of moisture falling like opaque shower curtains.

Wednesday was bright and blustery with scattered clouds scudding across the sky from northwest to southeast. In the high country the aspens looked as naked as they do in winter, but the wide variety of willows were an arresting shade of orange; and in the towns, the domestic trees shot shocking hints of chartreuse along the streets.

Cattle grazed on new grass. New grass always has a fresh look about it, as if it were gift-wrapped just to please the viewer. Alongside the cows, young calves romped; some black Angus, some Hereford, a lot of mixed breeds.
In the Salmon River country, the rivers ran manic, bouncing off the sun-swept rocks. The mountains dropped down like they wished to embrace us. Ospreys ruled the skies and made me think of catching salmon.

Above White Bird Hill, the land planed out, somewhat, and the vast fields that rolled away in all directions reminded me of some wild plaid of various shades of green, gold and brown. Strips of conifers grew in the harsh spots.

At Lapwai, an Appaloosa wore a hide that looked as if it had been painted by some master and reached his head over a barbed wire fence in search of tender morsels to chew on. The old sawmills sat vacant, their galvanized roofs undone and banging in the wind.

We wandered past the stinking paper mills at Lewiston, along the Clearwater River where Lewis and Clark wintered with the Nez Perce tribe in 1805 dining on salmon and various meals prepared from the native camas root that grows in the marshy prairies of the inland northwest.

Moscow, Idaho

Up another long grade from the river onto the Palouse and the rolling farmland sectioned into fields planted, waiting to be planted, and fallow, all different colors and in the slant of afternoon light seemed electric, as if created by mechanical tool instead of the play of light frequencies on sprouting wheat, newly plowed ground, and harrowed soil.

At Moscow we entered town and turned west towards Pullman and then settled in for the night.

Writing about spring and green and the newness of the season seems trite, hackneyed, clichéd, but we cannot defeat the march of seasons and so why not enjoy them and take their beauty, their hope for our own?

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On Honky-tonks, Wild Folk and Newborns

Our daughter, Sarah, and her husband, Baruch, are expecting their first baby in July. We have grandkids already. One, Justyce, is already zooming her way to young adulthood. The prospect for the arrival of a newborn is damned exciting.

As I think about this new granddaughter, the season is Spring and outside the daffodils are smiling the color of the sun. Down the streets, pear trees’ white blossoms balloon the moods of commuters. Pink and reds and purples emerge. It is a season of birth, re-birth, new growth.

Then I think about the old days and how mothers produced sons and daughters that were cold as stone when they emerged from the womb. Youngsters died of measles, mumps, smallpox, scarlet fever before they had a chance to mate, get drunk, find Jesus, get old. Those were the days of small farms where women and men hoed rows of corn and dug their spuds. Milked cows, sheared sheep, cooked oat cakes over cast iron stoves that threw heat like the halls of hell. Chores galore; stirring dirty clothes in a big cast iron pot full of boiled water and harsh lye soap. Candle making, quilting, sewing; all created a dire need for lots of hands. Lots of children were needed to help out on the farm

In 1971 my father and I took my son, James, to see the movie Man In the Wilderness, set in the Northwest during the early 1800s, with Richard Harris and John Huston. The characters in the film were fur trappers and one of them, the Richard Harris character, voyeured a Native American woman giving birth to a child. Out in the thick woods, she just squatted, without help, as her man kept watch from afar, I suppose to keep grizzlies and wolves from attacking her as she birthed that baby.

At the time, I thought that scene was a little over the top in terms of dramatization. I remember my now-long-deceased friend Richard Madewell scoffing, “That’s all a bunch of BS to sell movie tickets.” I tended to agree. Son James, who was about three years old, seemed more interested in the bear that attacked Harris’s character and didn’t have much to say about the on-screen child birth.

That was back in the honky-tonking days of my youth. I spent spare time down at the bar on Main Street where the skid row drunks sat on the high curb and waited for the sun to come up and the bars to open. My watering hole was a rough location, a bar as old as any of the businesses in town.

Big fans beat the air around the pressed tin ceiling with its fancy curlicues and circles. We listened to Dire Straits and the Rolling Stones’ Sticky Fingers, tunes from the Allman Brothers’ Idlewild South.

We downed flat draft beer and shots of cheap tequila, Bloody Marys, Spañada, wine coolers, bad Scotch and VO with Seven, not to mention more nefarious substances. We shot nine ball and eight ball, got in fights, in shootouts. We got drunk, and not drunk. Hippies, cowboys, college professors who taught Español, drug salesmen of both the legal and the not legal, ag teachers, baseball glove vendors, miners, cotton farmers, plumbers, sheepherders, butchers, house painters, short order cooks in Mexican food restaurants, wives, daughters, they all made their way to sit on the tall stools at the ancient bar.

Some wild individuals denizened the joint. One pair I recall—it was just around the time I went with father and son James to see Man In the Wilderness—showed up one day and joined right in. They usually arrived for tamales and red beers…that was breakfast. He had long, stringy hair and wore a beard a foot thick. He donned a stained and battered New York Yankee hat and claimed to be from Manhattan but his deep Texas accent belied that. His mate was wild, too, wore fringed buckskin shirts and trousers, blue and red and yellow beaded buckskin moccasins that looked like they were made before Geronimo went to Florida under guard of the United States Army. She claimed she made all her own clothing and I did not doubt that.

For some reason they liked to drink around me and I’d have to be pretty toasted to stand the scent of lard and mesquite-coal smoke that hung all over them. She bragged about cooking over one of those old cast iron stoves my grandmother used back before my mother was born. I didn’t doubt that, either. They rented a falling-down adobe building with rotten wood floors that was about as old as our town. The adobe sat behind Ronquillo’s Radiator Shop…I think I remember this right…at the corner of Sacaton and First. I always knew it as the Prickly Pear House because a prickly pear sat out in front of the old adobe. The cactus had big flat paddles wrinkled like the face of my grandmother and probably as old.
This particular wild bunch would also show up in the afternoon and drink their favorites….shots of Jose Cuervo with draft Coors back. One, two, three.

I always thought it was strange that she drank like that…as well as smoking unfiltered Camels and no telling what else…because she was heavy with their first child. Heavy….hung out like a hot air balloon. But one, two, three, down the hatch, she’d laugh and dance to Dickey Betts’ guitar riffs in “Memory of Elizabeth Reed.” Awkward and scruffy, she shuffled and puffed on her smoking Camel.

One hot August afternoon under the cooling click of the ceiling fans, a few of my friends and I sat and sucked down cold glasses of draft as the two of them, both of this wild pair, pirouetted and wheeled to the tunes blaring out of the juke box.

She suddenly stopped and yelled, “Honey, it’s time.”

Without another word they stomped out the front door. A moment later his thick-bearded face showed back in the doorway as he yelled, “Be right back.”

The barkeep chuckled and mumbled, “Right. She’ll be lucky if she and that kid survive, as much poison as she puts in her body.”

Two hours later they were back. That hot air balloon was suddenly gone and the leather blouse with the fringe on the seams looked almost big enough for two of her. She held a red, wrinkled baby in an old wool blanket. Her man began handing out cheap stogies with a cigar band that announced, “It’s a Girl.”

I said, “They let you out of the hospital that fast?”

She twanged, “Didn’t need no hospital. Done it myself.”

We all looked to her man. He grinned and nodded, “I watched, but that was all. She just squatted and spurted that young’un out.” He grinned and hugged her. “She’s one hell of a woman.”

The baby squalled and the mother giggled. The father let out a roar, “Barkeep. For my lady-love, a Jose Cuervo and cold Coors back”

He spun around, his long hair whirling like a jigging woman’s skirt. He yelled, “I’m a daddy.”

I sure hope Sarah and Baruch experience a different kind of delivery.

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The Wind

The wind blows in Idaho this time of year. Totes the angry vestiges of another aging winter. Grass leans, limbs break, birds balance in the tops of aspen branches that tilt away from the gales that holler off the east Oregon desert. Time moves east to west around here, the wind sweeps west to east and yells back at us about what we time-mailed West Coast way yesterday.

And yesterday the wind blew, and last week, most of the week except for one or two golden days where the rays made us think of planting spinach and snap peas; but then, here it rolled in again, the blustery breath of early spring, stirred up by differences in barometric pressure. Wind is air movement pushed out of high pressure areas into low pressure areas. Winds create havoc in hurricanes and typhoons, can lift the land off the top of Wyoming and haul it all the way to the bottom of the Atlantic. It carves, cuts and makes you crazy.

Once Betty and I stood above the Palais de Papes in Avignon, Provence, admiring a late spring view of the Rhone, the hills, the old town, when a blast of hot air known locally as the Mistral almost knocked us over. I recall reading somewhere about that wind, and Gauguin and Van Gogh and how the Mistral helped drive Van Gogh crazy.

When I lived in southern Arizona, the wind got up in the spring and blew a layer of dust for days, stinging eyes, skin, the leaves of newly planted pansies, testing your ability to stay focused on the business of getting by. In the summer, great hullabaloos formed up over Tucson and harangued our way, as if to furiously eradicate the city of Phoenix and everything in between.

I lived in that desert in early the seventies, not too long back from the war and metaphorically speaking, walking backwards into a stiff gale. In 1972 I recall standing outside my house and watching one of those brief and violent late afternoon holocausts rear up and try to exterminate everything in its way. Spiny Sonoran Desert mountain ranges over four thousand feet up were dwarfed by the chocolate brown fury. It roiled and rolled, like a flood rush of muddy water. When it attacked us, the sky turned black, trailer houses moved twenty feet to the northwest, telephone poles snapped like match sticks, privet bushes lost half their leaves. Everything and everywhere owned a coat of fine brown clay.

When Betty and I lived in the high mountains of southern New Mexico, the wind blew from late February through May. Steady. Brisk. The moan and whine of old spruce trees as they rubbed up against each other and the wood in your back porch deck. The gales, gusts, and breezes that hauled Arizona’s surface over the Gila massif, the Black Range, the San Andres, finally picking up the white gypsum sand outside of Alamogordo. Plastering it on the sides of mountain top Ponderosa pine and red fir so that it looked like snow. The season of creaks and cracks and listening to the trees complain in the middle of the night. Worrying about the hood of your car. The roof over your bed.

In Cloudcroft, NM, the bars bustled that time of the year. Men stormed in and threatened each other with big Bowie-type knives, .357 magnums, fists, snow shovels. The schnapps and cheap whiskey spilled all over the bar tops. Boot heels up in the air. Old woodstoves smoking where the melting snow leaked in and dripped dripped dripped.

Everyone seemed on edge. That was the time of boredom, before planting, before moving the cattle, often too muddy to go into the woods to work. Just time to drink and dream and stew. That’s when the Apaches would come to town and irritate half the white folk. I don’t know if it was all on purpose, the back and forth between the white folk and the natives. But it bubbled up everywhere: in the mercantile, the gas station, the Western Bar. Barkeep Frieda used to get after the young Apache men as they taunted her over their glasses of draft Budweiser. She’d call the law. They’d laugh. The law would show up. Sometimes a fight ensued.

Once a young Apache man came to town and ran out of gas in his pickup. The wind blew that day, too. I recall the fluttering skirts and scarves of women bustling on the boardwalk, the American and New Mexican flags slapped straight out from the flag pole.

That young Apache man went around and begged for change to buy a couple of gallons of gas. I sat in the Western Cafe and drank hot coffee and watched. He tried at the gas station. They threw him out of the bank. He walked up to the door of the bar, but thought better. I don’t know, maybe he’d been kicked out of there before when he wasn’t so needy.

He went from store to business to store down the length of Burro Street. Out of sight I wondered about all the animosity between whites and browns, whites and yellows, black and brown, yellow and red, hell, anything that makes one different is enough to start the process, like a little breeze that gets up in the afternoon, then steadies into a wind that gusts with particular fury. Sometimes it’s a typhoon and blows the world down onto its knees.

After finishing my coffee, I walked down to the post office to get the mail. The wind forced me to tilt my back into it. People in the street leaned this way and that, any way they could to fight the power of what they could not stop.

After I checked my mail box, I saw that young Apache standing at the door, hitting everyone up for change. He wasn’t having any luck and I wondered how I could slip by him and out into the wind. I didn’t want to get caught and have to say, “No.”

For a moment, a gaggle of women dammed up against the entrance…purple pant suits and the quilted outers of down jackets. L. L. Bean boots. I saw my chance to escape but by the time I arrived at the door he was standing forlorn and single. I figured if I didn’t look him in the eye, he’d leave me be, but for some reason I looked him in the eye. What I saw was nothing to fear.

He said, “Hey, man, I ran out of gas and I…”

I already knew his story. It’s as old as mankind. For some reason, against my will, I stuffed my right hand in my Levi pocket and pulled out a lump of dollar bills, quarters, pennies, dimes.

I shoved it at him, “That’s all I got.”

I swear some tears rose in his eyes and I doubt it was from the wind. He started to pull off a silver and turquoise ring the size of my thumb, and said, “Here, man,” but I threw out my clenched fist and said, “Naw, ain’t necessary.”

He began to say something else, but I didn’t stick around, just had to get out into that wind.

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Vernal Equinox

Last Sunday, when the equinox bumped into Boise, Idaho, the wind scattered last fall’s leaves around and around the patio. Sullen clouds in both the east and west grayed the day as the full moon reveled in its gravitational attachment to earth, or so I imagined. Betty and I ventured out and tried to capture on camera this “supermoon” but haze and clouds obscured our moment. Like some kind of super moment, I thought, or wished, a marriage of moon and season, but actually it was just another advent of spring.

 Most people I know like fall of the year best, but I think I am partial to spring. In Idaho, I definitely believe it is the best time of year. Southern Idaho is a harsh landscape to the eye, anyway, but now the grass will green and the hills will take on an ephemeral, emerald hue. In northern California, where Betty and I just visited, spring was erupting in greens and yellows. Like blares of horns announcing a new symphony, they showed up along the roads, in the meadows, in the marshes, in the vineyards, and the apple orchards. Yellow and green mixed with dabbles of fruiting-tree blossoms painted pink, and lavender and white.

When Betty and I lived in the Sacramento Mountains of New Mexico, lambasting snowstorms roared in during spring. Twenty inches on the first day of April, and later in some years, and you would think that spring would never arrive. But when it did, the grass’s music rang as true as any tune out of the beaks of mountain bluebirds, and the pollen of Douglas fir scattered over the land like Moses’ manna, a dusky gold that blanketed cars, roads, patches of ice, the ferns that struggled to recover from a cold winter.

In Arizona’s Sonoran Desert, spring, if any amount of rain showed up, would turn the sand and powdered caliche a short-lived green, peppered orange and purple with Indian wheat and filaree and six-weeks fescue, pink-eye weed, poppies and lupine with buds as big as the end of your thumb. Spring is a strange time in the Sonoran Desert, but balances on a short span of time caught between a winter, which many places call summer, and a summer which Dante might have imagined while penning The Inferno. I recall going to work one April morning at 4:30 under a clear, starlit sky. I rolled down the window and rain drops blew in. A storm front thirty miles away announced its life-giving arrival. In the star-spangled sky I was seeing Lynx and Leo, Canis Major while tasting the pure dew of raindrops on my tongue. The anomaly shocked me into understanding how the things we think are opposites are really just parts of the whole. 

In Vietnam, where I spent two springs, the first was wet and hot and delivered doses of heat prostration, leeches and bamboo vipers; the song of the AK-47 rang out, too. But lucky for me, the song was just slightly out of tune. My second spring was cold and wet—fog and mist and fog and mist and rain, rain, rain, and the song of napalm and M-16—death and decaying flesh’s stench were the only flowers I noticed in 1968. If beauty existed, I don’t recollect it. The only beauty I saw that spring was the Marine Corps Air Station at El Toro when my plane landed in California, where it was ….green, green, green.

Back here in Boise, the starlings seem to be a harbinger of spring. Three weeks ago they arrived in my back yard, black bodies in late winter plumage, speckled with yellow and hints of red and indigo. They strutted around in my grass and then got on line like Marines policing the parade ground. They goose-stepped across from end to end, probing and gleaning I don’t know what…worms, larva? It’s gotten to be a ritual here: every year, just around the turn of spring, they show up, front yard and back, c leaning up whatever it is they clean up.

Last spring robins nested in the crook between a rain gutter, an eave and the corner of our house. That little drama went on for several months.  We photographed the three blue eggs, the nestlings dressed in their voracious voices, their first flights crashing on the ground; rising, then falling, then rising and flitting like tunes on an iPod over to the ash tree in the corner of the yard.

Once, in an earlier spring, Betty lay on the couch listening to robins in a neighbor’s pine tree. The young ones were raising a ruckus with their constant ravings for more food. But a raven barged in and gobbled them up. You could hear mom and pop robin as they shrieked for what…. for help, or to scare the raven away? I don’t know. Whatever their goal, it was futile. I watched it all transpire as Betty put her hands over her ears to defeat the dissonance.

This bird world is a nasty place sometimes—spring, summer, winter, fall—but not unlike our own world (and I mean that in the sense of our own ken). I suspect the drama of birds reflects the drama of our own existence, without the BMW or the HD TV, but still it reflects, emulates; birth, life, nurturing and death. Winter and spring.